You are currently browsing the tag archive for the ‘music’ tag.
In Hamburg, Archbishop Werner Thissen entered retirement accepted today, making Germany’s largest diocese the fifth to become vacant, after Passau, Erfurt, Freiburg im Breisgau and Cologne. Archbishop Thissen came to Hamburg in 2002 and turned 75 in December.
The Archdiocese of Hamburg in its current form is very young, being restored in 1994 out of territories formerly belonging to the Dioceses of Hildesheim and Osnabrück and the Apostolic Administration of Schwerin, which was completely absorbed by the new circumscription. Hamburg is the only diocese to cover parts of both former West and East Germany. But although it didn’t exist for the major part of the 20th century (from 1930 to 1994), Hamburg does have a long history.
It was first established in the ninth century from the Diocese of Bremen and was already a metropolitan archdiocese then. It not only included parts of modern Germany, but also most of modern Denmark. In 1972 it was unified with Bremen, becoming the Archdiocese of Hamburg-Bremen, which covered also parts of modern Sweden, Finland and the Baltic states. In the 16th century the Reformation hit, and Hamburg-Bremen was suppressed. Almost a century later the Church in northern Germany reached a new semi-stability as the Apostolic Vicariate of the Nordic Mission, which included roughly the northern half of Germany, parts of modern Poland, the Nordic countries including Iceland. After much of that territory was split off into various new dioceses and administrations, the rump of the Nordic Missions vanished again, becoming part of the Diocese of Osnabrück in 1930. Schwerin, the part of Osnabrück that was in East Germany, became its own administration in 1973. In 1994, the new Archdiocese of Hamburg was restored as outlined in the image above, taking the bishop of Osnabrück, Ludwig Averkamp, with it as its first archbishop.
A short video on the Archdiocesan website serves as a small note of thanks to the retired archbishop, highlighting, among other things, the funeral of Archbishop Averkamp and Archbishop Thissen’s efforts that lead to the beatification of the martyrs of Lübeck, three priests and a Lutheran pastor who were murdered by the Nazi regime.
Archbishop Thissen hails from the Diocese of Münster, having been born in the city of Kleve near the Dutch border. After his ordination in 1966 he was a parish priest, spiritual councillor and subregent of the diocesan seminary. Following his promotion in 1974 he worked in the diocesan offices in the sections for general pastoral care and pastoral care for clergy and employees of the diocese. He became a resident cathedral chapter member of Münster in 1984 and vicar general in 1986. In 1999, Msgr. Thissen was appointed as auxiliary bishop of Münster and titular bishop of Scampa. In 2003 followed his appointment as archbishop of Hamburg.
And a second video, showing Archbishop Thissen’s love for music as he says goodbye to a number of faithful at the chapel of St. Ansgar in Hamburg:
The process of selecting a new archbishop is not unlike the one I outlined earlier, when discussing how a new archbishop of Cologne is chosen. A diocesan administrator is to be chosen within eight days, and in the meantime the senior auxiliary bishop, Msgr. Norbert Werbs, runs the archdiocese. The cathedral chapter, the nuncio and the bishops of the Province of Hamburg (which also includes Osnabrück and Hildesheim), as well as those of the Provinces of Cologne and Paderborn, the Archdiocese of Berlin and the Dioceses of Erfurt and Görlitz are all to present candidates. The Pope will then draft a list of three names from all of these proposals, from which the cathedral chapter is to choose a new archbishop. The expectation is that this entire process can take as long as a year.
Goosebumps at Mass this morning as the choir sang the Anima Christi:
10 November: Bishop Theodorus van Ruyven (pictured) retires as Vicar Apostolic of Nekemte. The Dutch-born bishop of the Congregation of the Mission first became prefect of the Apostolic Prefecture of Jimma-Bingo (since elevated to an Apostolic Vicariate) in Ethiopia in 1998. In 2009 he was appointed is Vicar Apostolic of Nekemte, and with that appointment came an ordination as bishop. His titular see is Utimma. Earlier this year he co-consecrated his eventual successor, Bishop Varghese Thottamkara, as Coadjutor Vicar Apostolic.
11 November: Domenico Cardinal Bartolucci passes away. The highly respected retired director of the Sistine Chapel choir passed away at the age of 96. Pope Benedict XVI made him a cardinal in 2010, because of the work he had done for liturgical music in a career that spans as far back as the late 1940s. In addition to conducting and leading various choirs, Cardinal Bartolucci was also a composer. His funeral Mass was offered by Cardinal Angelo Sodano, with Pope Francis offering the final commendation. The Mass may be viewed here. There are now 200 cardinals, with 109 of them being electors
19 November: Bishop Joseph Lescrauwaet passes away.
21 November: Bishop Rainer Klug (pictured) retires as Auxiliary Bishop of Freiburg im Breisgau, a function he held since 2000. His retirement was granted less than a month before his 75th birthday, and comes shortly after the retirement of Freiburg’s Archbishop Zollitsch. He was a member of the commissions for liturgical questions and for discernment and education in the German Bishops’s Conference.
28 November: Bishop Max Georg von Twickel passes away at the age of 87. He was auxiliary bishop of Münster and titular bishop of Lugura. Bishop Heinrich Timmerevers, an auxiliary of the same diocese, remembers him for his sharp analytical mind and his sense of humour. Bishop Felix Genn, the ordinary, also adds his memory competence and highly developed theological knowledge. Bishop Von Twickel had been a priest of Münster from 1952 to 1973, when he was appointed as auxiliary bishop, a function he held until his retirement in 2001.
Yesterday, Bishop Jan Liesen, holding the liturgy portfolio in the Dutch bishops’ conference, wrote a letter about the confusion surrounding popular Christmas songs in the liturgy. In the piece, which was published in Katholiek Nieuwsblad and on the conference’s website rkkerk.nl, the bishop confirms what many had already suspected: Publisher of Mass booklets, Berne Heeswijk, and especially director Fr. Joost Jansen, spoke nonsense when they said that the bishops had forbidden the use of such songs as ‘Silent Night’ in the liturgy of Christmas.
Bishop Liesen writes:
“This statement is not true and has caused much unrest. [...] The Christmas song question is not new. In 2001 the Roman Congregation for Divine Worship decided that liturgical songs in the vernacular need the approval of both the bishops’ conference and the Holy See. To properly introduce this measure a list of songs for the liturgy was created and at the same a period of transition was sought. On the request of and in consultation with publisher Berne the Dutch bishops received such a transition period: for two years a number of songs could be used in the liturgy, even if they were not (yet) included in the list. It was agreed with Berne that the publisher would abide by the approved songs. This agreement was signed, among others, by Fr. Jansen. To be clear: the list of approved songs is still in development and is continuously expanded with new songs; both theologians and musicians are working on this. Traditional Christmas songs are also suggested.”
He adds in a subsequent paragraph that all people involved in the publication of Mass booklets – among them Fr. Jansen (pictured below) - were informed in June of this year that the so-called ‘Christmas traditionals’ may now be printed in the back of these booklets.
All this puts the publisher’s earlier statements – that the bishops had forbidden the use of such songs, and that they had petitioned Rome to issue this ban – in a new light. Simply put: he was talking nonsense. There never has been a ban, and certainly not one planned by the bishops, and the traditional popular Christmas songs may still be used – in their proper place – on Christmas Eve.
Sadly, no correction is yet to be found on the publisher’s website… which makes me wonder: was this an honest mistake or a wilful misrepresentation of facts. For one in the business of publishing, such a misunderstanding of agreements made and signed is a very serious one…
Bishop Liesen concludes his letter as follows:
“Part of that treasure of songs, to which many faithful are justifiably attached, are many Christmas songs. The bishops, too, enjoy singing them and informed Berne on 21 June that these songs are very much suited to be published in the back of the Mass booklets, so that they may be sung at Christmas.”
Photo credit:  Jeroen Appels/Van Assendelft
Sigh… sometimes you have to wonder what people are thinking, not least people who provide a professional service to the Church and the faithful. One such case erupted this afternoon, and was smothered within hours, but not before the damage was done. And the guilty party? Not just the media who should do a lot more fact checking when writing about the Church, but also the publishers of Mass booklets in the Netherlands, the Norbertine abbey of Berne.
We’re no longer allowed to sing Silent Night at Christmas Mass this year, they panicked. When making the Mass booklets they felt so bad about all the songs the bishops wouldn’t allow them to print anymore: the aforementioned Christmas staple, but also the songs by Huub Oosterhuis (a good thing if those were banned). And although the order came from Rome, they said, they Vatican wasn’t to blame, because the ‘fluffiest Pope evur’ surely wouldn’t allow such a nasty thing. No, the Dutch bishops had told Rome to ban the songs. Bad bishops.
Well, reality is a bit different, as Father Cor Mennen (pictured), advisor to the Nationale Raad voor Liturgie (National Liturgy Council), explains. The Mass booklets are printed according to a list of approved songs. As Bishop Jan Liesen, who holds the liturgy portfolio in the Bishops’ Conference, confirms, Silent Night and others songs may be added to the list in the future, but at this time they have not which is why they are not included in the booklets. This is a new process, as in the past every song would have to be individually approved. As Fr. Mennen says:
“With this approach we want to avoid having to discuss every individual song. Silent Night isn’t on the list yet, but the approval is, as far as I know, only a matter of time. The song is uncontroversial. Parishes arent doing anything wrong if they sing it.”
Now why on earth didn’t the publishers know this? Or rather, why did they choose such a panicky reaction, which was eagerly lapped up by the media? They really should have known better. The only thing this achieves is a bad image in the papers. Oh, look at that silly Church and those power-hungry bishops banning everything the people like… And I wouldn’t want to feed the people who now think those songs really are banned.
Pretty irresponsible behaviour, I would say.
Fun little bit of news today. The fourth edition of The Passion the retelling of the Passion of Christ through modern pop songs, performed live by well-known singers and actors, is hitting Groningen, the city where I live.
Hopefully the spectacle, which is to take place on Maundy Thursday 17 April, can be a means of evangelisation, by introducing people to the person of Christ and His sacrifice for us, in an accessible way through well-known songs.
Sadly, the timing of the event, on Maundy Thursday, is somewhat unhappy. The Passion will take place in he evening, when the Church has already entered the time of silence and prayer in preparation for Easter.
Bishop Gerard de Korte of Groningen-Leeuwarden is happy with the coming of The Passion to Groningen: “It offers a unique chance to present the heart of the Christian faith, God’s love for this world in Christ, in an accessible way. Hopefully the preparation and performance of The Passion will move many inhabitants of Groningen and the Netherlands once again to reflection.”
Just because I can, a news roundup from the Dutch dioceses. Let’s take a look at what’s been going on in the various corners of the Church province.
Led by Cardinal Eijk, some 100 faithful from the Archdiocese of Utrecht have been on pilgrimage to Rome this week. They visited various churches (Cardinal Eijk’s title church San Callisto, Saint Peter’s, the Church of the Frisians, Saint Mary Major (pictured) and Saint John Lateran), celebrated Mass at the tomb of Saint Peter, saw the sights and capped the trip off with today’s general audience with Pope Francis. Cardinal Eijk offered Mass every day in concelebration with the accompanying and some local priests.
In the Diocese of Breda, the Franciscan sisters in Bergen op Zoom celebrated the 175th anniversary of their diocesan congregation’s existence. They did so in the presence of Bishop Jan Liesen and other guests, and also used the day to reopen their chapel after a year of restoration work. As the congregation also has a thriving sister house in Indonesia, Bishop Michael Angkur of the Diocese of Bogor was also present. With his entourage, he visited other congregations (and some local sights) in the diocese as well.
Also in Breda, the pilgrims to the World Youth Day in Rio had their first reunion (pictured). They did so at Bovendonk seminary. The pilgrims looked back on the weeks in Suriname and in Rio de Janeiro, sharing their experiences with each other and with those who stayed at home to take part in WYD@Home.
The Diocese of Haarlem-Amsterdam bade farewell to its vicar general, Msgr. Martin de Groot (pictured at left with Bishop Jan Hendriks), after 50 years of service in the diocese. The farewell took place with a choral evensong in Amsterdam’s Basilica of St. Nicholas followed by a reception. In addition to the diocese’s Bishops Punt, Hendriks and Van Burgsteden, Rotterdam’s Bishop van den Hende and Utrecht’s auxiliary Bishop Hoogenboom were present, reflecting the wide-ranging duties that Msgr. de Groot performed in and beyond his diocese.
Also in Haarlem-Amsterdam, a unique appointment: the first female Magister Cantus (or, in this case, Magistra Cantus) of the Netherlands. On Sunday Ms. Sanne Nieuwenhuijsen will be installed as such by Bishop Punt. She will have responsibility for the music in the cathedral basilica of St. Bavo, the musical institute connected to it and the choirs. She has been conducting the cathedral choir since 2010.
Photo credit:  aartsbisdom.nl,  bisdombreda.nl,  Isabel Nabuurs